Intimidating women names
When Ishta Mercurio came forward in the fall of 2017 to report a 2012 incident, Oliver discussed it with Díaz and he apologized to Mercurio.
At that time, Oliver and Díaz mutually decided he should resign from the board.
SCBWI then readmitted him to the board on a probationary basis for one year, during which no further incidents were observed or reported.
Díaz was allowed to return to the board in a permanent capacity in 2015.
The author of numerous books for children, Díaz was honored with the 1995 Caldecott Medal for his illustration of the picture book published a damning expose of film producer Harvey Weinstein’s decades-long track record of sexual harassment and predation, the United States has been engaged in a difficult and far-reaching dialogue about sexual harassment.
The problem touches all industries, from blue collar to white collar, and as women have felt emboldened to come forward to report abuse, men who held leading positions in media, government, the arts, and entertainment have been fired or forced to resign.
“I didn’t want [a sexual harassment claim] to stop me from becoming the writer I wanted to become in order to thrive in this industry and in order to succeed in this industry.” She summoned the confidence to come forward this October, encouraged by online conversations about sexual harassment and children’s publishing.
Complaints about Díaz That’s the situation that the writer whom Díaz reportedly called “kinky” found herself in at the SCBWI conference in 2012.
’” says the writer, who asked not to be identified.
(See updated story: “Ishta Mercurio Goes Public as David Díaz Accuser.”) The exchange, which happened in 2012 at SCBWI’s winter conference in New York and was witnessed by one of the writer’s friends, left the woman feeling “horrified” and “disgusted.” The illustrator, David Díaz, was a member of SCBWI’s board and a faculty member at the conference.
Penguin Random House had also previously disclosed that the company was investigating the matter.
The details of Yi’s and Castellano’s interaction—outside of the office, at a bar, while the actress was traveling and staying at a hotel—highlight aspects and dynamics of the way informal socializing is embedded into the publishing world, sometimes creating scenarios that leave people vulnerable to sexual harassment.